Miko

Александр

174 публикаций · ❤️ 417 · 👥 3
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Turn this photo into a doodle-style character that looks intentionally ugly and funny, similar to a child's crayon drawing. Use a rough black outline like crayon or pencil, with messy scribble coloring.
❤️ 0
Use the uploaded daily-life photo as the sole source for identity,pose,clothing,composition,and scene relationships.Create a mixed-media portrait where the person stays photorealistic while the environment becomes a simple monochrome hand-drawn line illustration.Preserve recognizable face,skin tone,hairstyle,hair color,expression,pose,clothing,and accessories.Do not redesign the person. Composition:Keep the original framing,crop,camera angle,subject scale,position,gesture,and layout.Do not mirror,recenter,zoom,or invent a new pose.The real person remains the visual focus in the same place as the source. Person:Render the subject as realistic photography with natural skin,fabric detail,and believable light.Match the source lighting and perspective.Objects directly held or used in the pose may stay photorealistic. Background:Transform all surrounding scenery into a warm-white paper field with one-color line drawing only.Redraw major walls,windows,curtains,shelves,books,plants,lamps,sofas,tables,rugs,frames,and room objects as loose simplified outlines based on the photo.Preserve their approximate position,scale,and relationships so the scene remains recognizable.Remove photographic texture,shadows,and color. Line color:Use exactly one saturated monochrome ink hue for all background lines.Choose a clear non-neutral color sampled from the uploaded photo and brighten it into a vivid medium-value tone.If the source is mostly neutral,use one harmonious accent such as cobalt blue,brick red,coral,forest green,deep teal,or violet.Do not mix line colors. Line style:Use medium-thick felt-tip or ballpoint-like strokes with visible wobble,uneven pressure,crooked joins,blunt ends,small overruns,and one-pass energy.Keep contours simple and imperfect.Avoid thin technical drawing,smooth vector curves,dense hatching,or repeated sketch lines. Simplification:Reduce objects into few strokes.Books become rectangles,plants loose leaf shapes,lamps basic domes and stems,windows open frames,and fabrics sparse contour folds.Keep generous white space and leave large areas blank.The room should feel airy,playful,and unfinished. Grounding:If the source includes a rug,bed,sofa,table surface,or floor edge,draw only its outline and a few seams in the same ink color.No gray base,no cast shadow,and no colored fill.Let the real person overlap the illustrated forms. Style:Photoreal person + naive monochrome environment doodle,editorial mixed media,indie magazine lifestyle illustration,clean white-paper backdrop,minimal and playful.The contrast between the real figure and rough line-art room is the core effect. Negative:No illustrated person,no cartoon face,no changed identity,no altered outfit,no changed pose,no extra people,no missing limbs,no invented furniture,no multicolor line art,no realistic background photo,no gradients,no watercolor,no 3D,no anime,no manga,no polished vector art,no text,no logo,no watermark,no UI.
❤️ 0
Rebuild the entire environment of this photo in Minecraft style: all terrain, ground, rocks, plants, trees, water, sky, buildings, furniture and vehicles become cubic voxel blocks with sharp edges and low-poly pixelated game textures, like real Minecraft terrain. The sun and moon become square, clouds become blocky. Any light source becomes a glowing Minecraft torch or glowstone. Keep every living being in the photo — all people and animals — completely photorealistic and unchanged: same poses, same faces, same lighting on them. Do not pixelate anyone. Keep the natural color palette and time of day of the original photo
❤️ 0
Use the uploaded image as the basis for the final embroidery result. The video begins with an extreme macro close-up of an empty cotton shirt fabric. On a clean fabric that initially has no pattern, color thread embroidery is gradually made by itself, reflecting the form of the uploaded image and the main colors. No person with a hand or needle appears, and the movement of thread and embroidery is automatically performed by an invisible force. The color thread naturally rises from the surface of the fabric, pulling taut one by one, and forms dense satin stitches and elaborate embroidery along the contours and core details of the uploaded image. Solid lines, cotton fills, and curved flows build up sequentially, revealing more and more three-dimensional embroidery textures, and the embroidered area gradually expands within the frame. Finally, the uploaded image is finished like an embroidery patch. The camera maintains a fixed single shot and proceeds with a slow and satisfying time-lapse feeling without switching scenes. The lighting realistic expresses the touch of soft natural side light, shallow depth of field, clear fabric fiber texture, soft luster of thread, and thick embroidery surface. The sound is designed around embroidery ASMR. The fine stinging sound of the thread passing through the cloth, the blind spot where the thread is pulled and tightened, the soft friction of the fabric slightly strained, and the regular, dense, delicate sound when the stitches are laid in a row are clearly heard. The background music is cute and cozy with low-volume warm glockenspiel, marimba, ukulele and pizzicato strings, and finally finishes with small bright bells. The whole tone is calm and immersive, satisfying and luxurious handicraft documentary feel. The result is a 10-second video in which the uploaded image is completed with elaborate embroidery on the shirt fabric.
❤️ 1
Analyze the uploaded reference image carefully. Generate an image of the EXACT person from this reference, strictly preserving their facial features, age, gender, hairstyle, and the exact clothing/outfit shown in the image.
The character is sitting on an open spiral sketchbook page placed on a rustic wooden table. The upper half of the body (head, shoulders, chest, and arms) is fully hyperrealistic and photographic, perfectly matching the reference image's details, skin texture, and fabric.
Seamlessly transitioning downward from the waist, the figure gradually dissolves into a loose pencil sketch: rough graphite strokes, cross-hatching, and unfinished pencil lines. The lower body is drawn as an incomplete charcoal and graphite drawing directly on the aged cream paper of the sketchbook. The transition must be smooth, organic, and blended, not abrupt.
The sketchbook page shows faint handwritten cursive text in the background. Surrounding the sketchbook on the wooden table are Derwent pencils, a white eraser, a small glass jar, and dried flowers.
Lighting and style: Warm moody studio lighting, shallow depth of field, ultra-detailed, cinematic quality. Style: 3D-to-sketch transition art, hyperrealism meeting traditional pencil drawing.
❤️ 4
Analyze the uploaded reference image carefully. Generate an image of the EXACT person from this reference, strictly preserving their facial features, age, gender, hairstyle, and the exact clothing/outfit shown in the image.
The character is sitting on an open spiral sketchbook page placed on a rustic wooden table. The upper half of the body (head, shoulders, chest, and arms) is fully hyperrealistic and photographic, perfectly matching the reference image's details, skin texture, and fabric.
Seamlessly transitioning downward from the waist, the figure gradually dissolves into a loose pencil sketch: rough graphite strokes, cross-hatching, and unfinished pencil lines. The lower body is drawn as an incomplete charcoal and graphite drawing directly on the aged cream paper of the sketchbook. The transition must be smooth, organic, and blended, not abrupt.
The sketchbook page shows faint handwritten cursive text in the background. Surrounding the sketchbook on the wooden table are Derwent pencils, a white eraser, a small glass jar, and dried flowers.
Lighting and style: Warm moody studio lighting, shallow depth of field, ultra-detailed, cinematic quality. Style: 3D-to-sketch transition art, hyperrealism meeting traditional pencil drawing.
❤️ 3
Analyze the uploaded reference image carefully. Generate an image of the EXACT person from this reference, strictly preserving their facial features, age, gender, hairstyle, and the exact clothing/outfit shown in the image.
The character is sitting on an open spiral sketchbook page placed on a rustic wooden table. The upper half of the body (head, shoulders, chest, and arms) is fully hyperrealistic and photographic, perfectly matching the reference image's details, skin texture, and fabric.
Seamlessly transitioning downward from the waist, the figure gradually dissolves into a loose pencil sketch: rough graphite strokes, cross-hatching, and unfinished pencil lines. The lower body is drawn as an incomplete charcoal and graphite drawing directly on the aged cream paper of the sketchbook. The transition must be smooth, organic, and blended, not abrupt.
The sketchbook page shows faint handwritten cursive text in the background. Surrounding the sketchbook on the wooden table are Derwent pencils, a white eraser, a small glass jar, and dried flowers.
Lighting and style: Warm moody studio lighting, shallow depth of field, ultra-detailed, cinematic quality. Style: 3D-to-sketch transition art, hyperrealism meeting traditional pencil drawing.
❤️ 2
Ultra-detailed typographic portrait of a person from reference, created from thousands of layered newspaper clippings, magazine textures, handwritten notes, vintage paper fragments, scattered letters, and bold motivational typography. The realistic face emerges seamlessly from the typography while maintaining perfect facial identity and natural skin detail, faithfully reproducing the subject's unique features, expression, and likeness. The portrait blends words like SUCCESS, FOCUS, DISCIPLINE, DREAMS, GOALS, AMBITION, POWER, MOTIVATION, KNOWLEDGE, VISION, CREATE, LEARNING, FUTURE, PASSION, ACHIEVE, ENERGY integrated organically into the clothing, hair, and background. Dynamic flying letters, ink splatters, distressed paper textures, fragmented typography, grunge collage aesthetic, monochrome sepia palette with black ink accents, aged parchment background, editorial newspaper design, cinematic high contrast, fine typography composition, ultra-sharp details, museum-quality mixed-media artwork, elegant negative space, premium poster design, centered composition, 8K resolution, hyper-detailed, award-winning graphic design, Behance trending, Adobe MAX style, typography art masterpiece.
❤️ 1
Made 100% identical to the attached object! Highly detailed black-and-white elegant artistic portrait, executed in refined charcoal and graphite techniques, with realistic facial anatomy, soft tonal transitions, and elegant pencil hatching. The subject emerges against a pure white space, gradually dissolving into flowing smoke, mist, and ethereal textures resembling particles. Light strands of hair blend smoothly with the surrounding atmosphere, creating a dreamlike fusion of form and abstraction. Ultra-fine lines, delicate skin textures, subtle hair details, soft gray gradients, and a masterful composition with negative space. Minimalist aesthetic with a calm, introspective, and poetic mood. The artwork balances between a hyperrealistic portrait and expressive smoke-dissipation effects, creating an airy, weightless, and emotionally evocative elegant artistic illustration. Museum-quality, timeless elegance, high realism, clean composition, soft ambient lighting, artistic monochrome masterpiece. R 9:16 vertical!
❤️ 1
Using the attached photo as reference, preserve the recognizable identity, hairstyle, expression, pose, clothing, baby animal, and original colors. Redraw it as a cute, clumsy hand-drawn doodle with an oversized crooked head, tiny awkward body, dot eyes, and simple facial features. Use thin, slightly shaky black ballpoint-pen lines and loosely scribbled colored-pencil strokes. Keep it intentionally amateur and adorably awkward, but clean and uncluttered, with a simplified background and plenty of white paper.
❤️ 1
Using the attached photo as reference, preserve the recognizable identity, hairstyle, expression, pose, clothing, baby animal, and original colors. Redraw it as a cute, clumsy hand-drawn doodle with an oversized crooked head, tiny awkward body, dot eyes, and simple facial features. Use thin, slightly shaky black ballpoint-pen lines and loosely scribbled colored-pencil strokes. Keep it intentionally amateur and adorably awkward, but clean and uncluttered, with a simplified background and plenty of white paper.
❤️ 1
Transform ONLY the people in the uploaded photo into adorable hand-drawn doodle characters while keeping the original photographic background unchanged.

CORE RULE:
Background = original realistic photo.
People = cute hand-drawn doodle characters.

PRESERVE THE BACKGROUND:
Keep the original sky, landscape, buildings, water, furniture, ground, plants, railings, objects, lighting, colors, perspective, camera angle, framing, and textures as close to the original photo as possible.

Do NOT redraw, simplify, illustrate, or apply doodle/crayon/pencil effects to the background or environmental objects.

TRANSFORM ONLY PEOPLE:
Replace each person with a charming, naive doodle version while preserving:
- exact number of people
- original position and relative scale
- front/back/side/three-quarter orientation
- head and body direction
- pose and gesture
- arm and leg positions
- interactions with people or objects
- hairstyle, clothing colors, and major accessories

IMPORTANT:
If someone faces away, keep them back-facing.
If sideways, keep them sideways.
If facing forward, keep them forward.
Never rotate a person toward the viewer or invent a face that is not visible.

CUTE DOODLE STYLE:
Freely reinterpret realistic anatomy into an adorable, imperfect character:
- oversized round head
- tiny compact body
- short simplified arms and legs
- tiny hands and feet
- cute awkward proportions
- loose scribbled hair
- tiny dot eyes and simple facial features when visible
- rosy scribbled cheeks when appropriate

Keep the original pose recognizable, but simplify and slightly exaggerate it for cuteness.

DRAWING STYLE:
Loose naive hand-drawn doodle, like a quick children's sketch.
Use thin shaky black outlines, imperfect shapes, overlapping sketch lines, scribbled colored-pencil or crayon fills, uneven coloring, white gaps, and slightly messy edges.

The character should look intentionally roughly drawn but extremely cute.

OBJECTS:
Objects, furniture, scenery, and items around the people should remain photographic whenever possible. A doodle character may naturally touch or hold a real photographic object.

INTEGRATION:
Keep correct scale, ground contact, depth, and occlusion so the doodle characters naturally occupy the same locations as the original people.

FINAL LOOK:
It should feel like the real people were removed from the original photograph and replaced with adorable little hand-drawn doodle versions of themselves, while the real-world background remained untouched.

Prioritize:
1. Original photographic background
2. Person position and scale
3. Exact body orientation
4. Pose and gesture
5. Cute exaggerated doodle character design

Avoid full-image illustration, background doodling, realistic anatomy, anime, manga, 3D cartoon, polished digital art, vector lines, changed poses, changed orientation, added people, or invented faces.
❤️ 2
Use the reference photo of the child as the strict source. Preserve the child's facial features, age, natural asymmetry, eye shape, lip shape, nose shape, proportions, and individuality 100% unchanged. No alterations whatsoever, no aging, no retouching, no face stylization, no morphing.

Clothing must be copied EXACTLY as it appears in the reference photo — same jacket, same t-shirt, same shorts, same cap, same colors, same details, same fit. Do not invent, redesign, or substitute any clothing item. The outfit in the generated image must be 100% identical to the outfit worn by the child in the reference photo.

Pose and composition
A lively candid medium-full shot with panoramic framing, as if the photographer secretly captured a moment during a walk through a fantastical paper urban installation. The boy is not looking at the camera and not posing. He is calmly walking forward between large painted cardboard urban decorations. His torso is slightly tilted forward, his head softly turned toward a large cardboard building facade, his gaze directed at it with natural curiosity. One hand lightly touches the edge of a large flat cardboard wall or window frame, as if the boy is passing by and accidentally runs his hand along it. The other arm hangs freely and moves naturally with his step. Hair and the edges of his jacket move slightly from the motion. Facial expression is calm, interested, lively, with a barely noticeable natural smile. The frame is slightly off-center, asymmetrical, part of the decoration partially overlaps the edges of the image, creating the feeling of a genuinely candid captured moment. Wide panoramic composition showing more of the surrounding urban environment and most of the boy's body.

Background
Fantasy urban world made of flat painted cardboard decorations: large dark blue and blue-green building facades with drawn windows, cardboard street signs, painted rooftops, whimsical urban elements, and light clouds with expressive dark outlines. The decorations look cut from thick cardboard and assembled into a multi-layered theatrical installation. A small graffiti tag "Neuro DJ" in warm orange color is subtly placed on a cardboard surface in the lower right area of the frame — not central, not eye-catching, but visible upon closer inspection as a hidden Easter egg. Dominant colors are deep blue and muted blue-green, with warm orange, cream, and soft blue accents. No balloons.

Light
Soft diffused daylight, as if inside a bright artistic installation. Light falls from the side, creating light lively shadows and emphasizing the boy's volume against the flat decorations. Natural light-shadow modeling, no even studio lighting, no glossy advertising effect.

Camera
Wider panoramic medium-full shot, eye-level shooting, 50mm lens, slight sense of motion, shallow depth of field. Natural framing, like a candid photo without preparation and without the feeling of a studio shoot. Slight blur of some foreground elements for a sense of depth. The composition is wide enough to show the boy within the context of the urban paper installation, with surrounding buildings and street elements visible on both sides.

Negative prompt
balloon, balloons, balloon string, looking at camera, posed studio shoot, static pose, posing, symmetrical composition, normal realistic garden, absence of painted decoration, different dominant color, age change, aging, morphing, averaging, face replacement, facial feature change, appearance change, aggressive retouching, plastic skin, cartoon person, extra people, extra limbs, extra fingers, deformed hands, incorrect pose, flat studio light, glossy advertising style, adult clothing, female clothing, floral decorations, flowers, plants, bushes, garden, different clothing, redesigned outfit, invented clothing, waist-up crop, close-up portrait
❤️ 2
REFERENCE — STRICT: image1 is the main character. Preserve face, eyes, hair, age, proportions, identity 1:1 in EVERY frame. Same costume every shot: black tricorn with gold trim, black cloak, brocade waistcoat with gold embroidery, white lace cravat, black gloves, white mask with gold trim worn OVER THE EYES always (eyes visible through holes, never on forehead). No identity drift, no duplicates.

SETTING: Venice, 18th century, Carnival night. Candlelit canals, stone arches, grand palazzo ballroom, masked guests, floating lanterns, warm golden light, rose petals in the air.

STYLE: Cinematic photorealism, elegant calm pace. SLOW graceful camera only: dolly pull-back, smooth low tracking, steadicam follow, slow orbital arc, soft push-in. NO whip pans, snap zooms, shaky cam, rapid cuts. Long takes 3–5 sec, one simple action per shot. Painterly candlelight, soft bokeh, water reflections, subtle film grain, anamorphic lens. Crowd calm and slow.

SHOT 1 (0–4) THE NOTE: Medium close-up. Main character, mask over eyes, opens a wax-sealed note by the canal; a rose petal drifts down. They look up, wonder visible in the eyes through the mask holes. Camera slowly pulls back revealing lanterns, garlands, stone bridge, twilight Venice.

SHOT 2 (4–9) THE GLIDE: Low tracking at water level. Masked character stands in a slowly gliding gondola, cloak swaying, passing under a stone arch. Warm lantern reflections on dark calm water, gentle ripples, no splashes. Far ahead, a red-cloaked figure in another gondola.

SHOT 3 (9–13) THE ARRIVAL: Steadicam follow from behind. Character walks slowly through a calm masquerade crowd toward glowing golden palazzo doors; guests part gently, candles flicker, petals drift.

SHOT 4 (13–16) THE WALTZ: Golden ballroom. Slow orbital arc around the character and a partner in red velvet gown and white mask dancing a slow elegant waltz. Chandeliers glow, soft bokeh, warm light trails.

SHOT 5 (16–20) DOUBLE REVEAL: Close-up. Partner lifts the white mask — beneath it a second black lace half-mask; playful pause, eyes smiling. She removes the second mask — the beloved's face, warm smile. Character's eyes soften through his mask. Rose petals fall in slow motion, gentle push-in, fade to black.

SOUND: Baroque strings, romantic waltz, soft water, crowd murmur. No dialogue.

NEGATIVE: face swap, identity drift, face morphing between frames, face flicker, changing face/age/hairstyle, duplicated character, two versions of same person, inconsistent costume, mask on forehead, mask slipping off, mask hanging from one ear, bare face, deformed hands, extra fingers, missing fingers, fused fingers, extra limbs, broken anatomy, distorted face, morphing bodies, whip pan, snap zoom, shaky cam, fast cuts, jump cuts, jitter, temporal flicker, chaotic motion, running, abrupt scene changes, melting gondola, warped boat, chaotic splashes, wrong reflections, melting architecture, warped bridges, floating lanterns, melting masks, morphing masks, plastic-looking masks, melting crowd, duplicated crowd, modern clothing, watches, phones, cars, electric wires, cartoon, CGI look, 3D render look, low quality, blurry, noisy, oversaturated, underexposed, overexposed, watermark, text, subtitles, captions, logos, inconsistent lighting, strobe, cold modern lighting, dialogue, voiceover, violence, nudity.
❤️ 2
[Enter the desired scene here]is represented by a minimalist hand-drawn doodle illustration based on a color monoline.

The whole picture consists of warm cream ivory or white over a monochrome background. Figures and objects are painted in a clear cobalt blue medium-thick monolain. The line thickness is uniform throughout, and all line ends and corners are gently rounded. It uses slightly loose, natural curves, as if drawn slowly by hand, rather than overly smooth, mechanical vector lines.

Figures are simplified in cute and flexible proportions, and complex anatomical depictions are eliminated. The face is represented only by eyes, short nose and mouth in the form of small dots. The expression is bright and lovely. The hair is divided into a few large, smooth curves, without realistic hair texture or cotton filling.

The hand is represented in a simple round form, but the fingers use only a few short and repetitive curves. Folds and sleeve details are also minimized by short lines. The interior of the figures and objects is mostly blank with background color to maintain a light and open feel at the center of the line.Hair is expressed in a naturally balanced size with the body. The cute simplification is maintained, but the soybean type or infant type ratio is avoided, and the adult figure is expressed in a smooth and balanced ratio of about 5.5 to 6.5.The figure is smooth and friendly, simplified, but the head and body are naturally balanced in adult proportions. Do not use soybean-type or infant-type character ratios.

The overall color is limited to one or two bright point colors, such as yellow and pink, centered on the cobalt blue line. Point color is flat on some small objects, such as cups, earrings, flowers, and props. Do not color a large area in multiple colors.

Doodle graphics such as small hearts, sparkles, and short emphasis lines are minimally placed around the character's behavior and emotions. Maintain sufficient margins, and express the figures or key actions loud and clear in the center of the screen.

A friendly, lovely and stylish atmosphere that suits modern lifestyle brands, emotional stationery brands, and magazine editorial illustrations. Clean 2D flat vector, hand drawing sensibility, color line art, minimalist doodle style.
It does not replicate the figures, poses, object configurations, and layouts of specific reference images, but only applies color monoline representation and simplified drawings.

Negative:
Black outlines, multi-color costumes, realistic human body proportions, sophisticated fingers, realistic hair, complex backgrounds, landscape depictions, excessive props, thick lines, sharp lines, perfectly mechanical Bezier curves, 3D, three-dimensional rendering, shadows, contrast, gradient, Watercolor, pencil texture, paper texture, photorealistic, animated cell coloring, excessive facial expressions, complex patterns, text, typography,excessively large hair, soybean character, excessively large ratio of hair to body, infant SD character ratio, 2 assholes·3-back body type, short and small torso, excessively small shoulders and body
❤️ 3
[Enter the desired scene here]is represented by a minimalist hand-drawn doodle illustration based on a color monoline.

The whole picture consists of warm cream ivory or white over a monochrome background. Figures and objects are painted in a clear cobalt blue medium-thick monolain. The line thickness is uniform throughout, and all line ends and corners are gently rounded. It uses slightly loose, natural curves, as if drawn slowly by hand, rather than overly smooth, mechanical vector lines.

Figures are simplified in cute and flexible proportions, and complex anatomical depictions are eliminated. The face is represented only by eyes, short nose and mouth in the form of small dots. The expression is bright and lovely. The hair is divided into a few large, smooth curves, without realistic hair texture or cotton filling.

The hand is represented in a simple round form, but the fingers use only a few short and repetitive curves. Folds and sleeve details are also minimized by short lines. The interior of the figures and objects is mostly blank with background color to maintain a light and open feel at the center of the line.Hair is expressed in a naturally balanced size with the body. The cute simplification is maintained, but the soybean type or infant type ratio is avoided, and the adult figure is expressed in a smooth and balanced ratio of about 5.5 to 6.5.The figure is smooth and friendly, simplified, but the head and body are naturally balanced in adult proportions. Do not use soybean-type or infant-type character ratios.

The overall color is limited to one or two bright point colors, such as yellow and pink, centered on the cobalt blue line. Point color is flat on some small objects, such as cups, earrings, flowers, and props. Do not color a large area in multiple colors.

Doodle graphics such as small hearts, sparkles, and short emphasis lines are minimally placed around the character's behavior and emotions. Maintain sufficient margins, and express the figures or key actions loud and clear in the center of the screen.

A friendly, lovely and stylish atmosphere that suits modern lifestyle brands, emotional stationery brands, and magazine editorial illustrations. Clean 2D flat vector, hand drawing sensibility, color line art, minimalist doodle style.
It does not replicate the figures, poses, object configurations, and layouts of specific reference images, but only applies color monoline representation and simplified drawings.

Negative:
Black outlines, multi-color costumes, realistic human body proportions, sophisticated fingers, realistic hair, complex backgrounds, landscape depictions, excessive props, thick lines, sharp lines, perfectly mechanical Bezier curves, 3D, three-dimensional rendering, shadows, contrast, gradient, Watercolor, pencil texture, paper texture, photorealistic, animated cell coloring, excessive facial expressions, complex patterns, text, typography,excessively large hair, soybean character, excessively large ratio of hair to body, infant SD character ratio, 2 assholes·3-back body type, short and small torso, excessively small shoulders and body
❤️ 3
Максимально сохранить исходную фотографическую сцену: композицию, перспективу, пространственные отношения, здания, улицы, интерьер, предметы и детали окружения. Не менять естественный свет и тени, материалы, текстуры, фон и угол обзора камеры. Фон должен остаться реалистичным, детализированным и фотографическим, без перерисовки или стилизации.

Изменить только персонажей, превратив их в минималистичные черно-белые стикеры с эффектом рисунка от руки. Сохранить исходное количество персонажей, их позы, действия, направление, пропорции тела и взаимное расположение. Сохранить основные формы одежды и характерные детали внешности.

Стиль персонажей — лаконичная однолинейная ручная иллюстрация с немного неровными, грубоватыми и естественными линиями. Использовать только чистый черный и белый: без серого, цвета и градиентов. Волосы, лицо, одежду и детали тела обозначить простыми черными линиями. Небольшие черные заполненные области допустимы для волос, складок и теней.

Вокруг каждого персонажа добавить аккуратную равномерную белую обводку, имитирующую наклейку, чтобы создать эффект вырезанного стикера. Персонажи должны естественно накладываться на реальный фон, сохраняя плоскую 2D-текстуру иллюстрации и четко контрастируя с фотографическим окружением.

Общий стиль: минималистичное граффити INS, черно-белые скетчи от руки, стикеры, бумажный коллаж, репортажная фотография, editorial collage, mixed media. Реалистичный детализированный фон + плоские лаконичные персонажи с четкой границей между двумя визуальными стилями.

Высокая четкость, резкость, детализация, реалистичные фототекстуры, эффект 8K.
❤️ 4
REFERENCE — STRICT: image1 is the main character. Use ONLY as identity reference. Preserve face, eyes, hair, age, body proportions, and all individual features 1:1 from the reference, regardless of gender. Do NOT copy clothing from the reference.

TASK: Dress the main character in an authentic 18th-century Venetian Carnival costume and place them in a fitting Venetian location.

COSTUME: Authentic 18th-century Venetian Carnival "bauta" outfit — black silk tabarro cloak with pleated shoulders, black tricorn hat trimmed with gold lace, white porcelain-style bauta mask pushed UP onto the forehead (face fully visible and recognizable as the reference), dark brocade waistcoat with ornate gold embroidery beneath the cloak, white lace cravat, black leather gloves. Rich textures: velvet, silk, gold thread. The mask is raised so the real face is clearly visible.

LOCATION: A narrow Venetian canal at twilight during Carnival. A stone arch bridge in the background, moored black gondolas with flickering lanterns, warm candlelight glowing from palazzo windows, red and gold carnival garlands and hanging lanterns strung across the canal, light mist over the water, distant silhouettes of masked figures. Confetti drifting in the air.

LIGHTING & STYLE: Cinematic photorealism, warm golden-hour light mixed with amber candlelight, soft reflections on the water, shallow depth of field, rich painterly color grading with deep reds, gold and black tones. 18th-century historical accuracy. Shot on 35mm anamorphic lens, dramatic but elegant composition.

NEGATIVE: face swap, identity drift, changed face/age/hairstyle, mask covering the face, modern clothing, modern elements, duplicated character, deformed hands, extra fingers, broken anatomy, historical inaccuracies like zippers or sneakers, text, logos, watermarks, cartoon style.
❤️ 3
[Enter the desired scene here]is represented by a minimalist hand-drawn doodle illustration based on a color monoline.

The whole picture consists of warm cream ivory or white over a monochrome background. Figures and objects are painted in a clear cobalt blue medium-thick monolain. The line thickness is uniform throughout, and all line ends and corners are gently rounded. It uses slightly loose, natural curves, as if drawn slowly by hand, rather than overly smooth, mechanical vector lines.

Figures are simplified in cute and flexible proportions, and complex anatomical depictions are eliminated. The face is represented only by eyes, short nose and mouth in the form of small dots. The expression is bright and lovely. The hair is divided into a few large, smooth curves, without realistic hair texture or cotton filling.

The hand is represented in a simple round form, but the fingers use only a few short and repetitive curves. Folds and sleeve details are also minimized by short lines. The interior of the figures and objects is mostly blank with background color to maintain a light and open feel at the center of the line.Hair is expressed in a naturally balanced size with the body. The cute simplification is maintained, but the soybean type or infant type ratio is avoided, and the adult figure is expressed in a smooth and balanced ratio of about 5.5 to 6.5.The figure is smooth and friendly, simplified, but the head and body are naturally balanced in adult proportions. Do not use soybean-type or infant-type character ratios.

The overall color is limited to one or two bright point colors, such as yellow and pink, centered on the cobalt blue line. Point color is flat on some small objects, such as cups, earrings, flowers, and props. Do not color a large area in multiple colors.

Doodle graphics such as small hearts, sparkles, and short emphasis lines are minimally placed around the character's behavior and emotions. Maintain sufficient margins, and express the figures or key actions loud and clear in the center of the screen.

A friendly, lovely and stylish atmosphere that suits modern lifestyle brands, emotional stationery brands, and magazine editorial illustrations. Clean 2D flat vector, hand drawing sensibility, color line art, minimalist doodle style.
It does not replicate the figures, poses, object configurations, and layouts of specific reference images, but only applies color monoline representation and simplified drawings.

Negative:
Black outlines, multi-color costumes, realistic human body proportions, sophisticated fingers, realistic hair, complex backgrounds, landscape depictions, excessive props, thick lines, sharp lines, perfectly mechanical Bezier curves, 3D, three-dimensional rendering, shadows, contrast, gradient, Watercolor, pencil texture, paper texture, photorealistic, animated cell coloring, excessive facial expressions, complex patterns, text, typography,excessively large hair, soybean character, excessively large ratio of hair to body, infant SD character ratio, 2 assholes·3-back body type, short and small torso, excessively small shoulders and body
❤️ 2
15-second 3D animated brand film in the style of a modern Pixar feature, for a Russian fathers' community, set in midsummer. Fast-cut energetic montage of eight short moments, about 2 seconds each, quick dynamic cuts. Lush stylized greenery, blooming flowers, warm long summer light, light summer clothing. Fathers with children of both sexes and different ages, from 1-year-old toddlers to 12-year-old kids. Expressive stylized characters, soft global illumination, warm vibrant palette, cinematic camera moves, gentle humor, subtle squash-and-stretch. Moments: (1) a dad lets go of the bike and his 5-year-old daughter with pigtails rides on her own, both beaming; (2) two dads fix a tiny bike handing each other a wrench, a toddler "helps" with an oversized toy wrench; (3) dads and kids dash through sprinkler jets, sparkling water arcs, exaggerated joyful faces, comedic slipping; (4) playful football, dads versus kids of mixed ages, a dad comically tumbles after the goal, kids cheer, one dad holds a baby on his hip; (5) dad and small son run across stylized grass, a colorful kite soars into a saturated blue sky, both look up with wonder, sweeping upward camera; (6) a 6-year-old girl tumbles off a scooter in a puff of dust, another dad lifts her up, big high-five, the real dad arrives, warm handshake; (7) one dad helps another carry a bulky stroller up the stairs with comedic effort, friendly wink, toddler follows with a balloon; (8) golden hour, fathers with kids of various ages on shoulders and in arms form a circle and stack hands, warm rim light, hold slightly longer as the heartfelt finale. Cozy, funny, energetic and warm. No text, no logos, no watermarks.
❤️ 1
SCENE CONTEXT
Massive granite mountain massif (continuous rock formation extending beyond frame edges). ONLY FOUR STONE BUSTS (head and shoulders only) carved HIGH UP on the mountain face, positioned in the upper third of the frame. Figures from @image1, @image2, @image3, @image4. PANORAMIC WIDE SHOT — entire mountain visible, small trees and vegetation at the base showing massive scale. LOW ANGLE from far distance. Fast accelerated timelapse, static camera for most of video, with slow cinematic parallax sweep in final reveal. Photorealistic, cinematic, live-action. PURE GREY GRANITE STONE — monochrome, NO COLORS, NO SKIN, NO CLOTHING.

ACTIVE REFERENCES
@image1: baby face — exact facial features, head shape. Leftmost bust.
@image2: man face with goatee — exact facial features, head shape. Second bust from left.
@image3: boy face with curly hair — exact facial features, head shape. Third bust from left.
@image4: woman face with wavy hair — exact facial features, head shape. Rightmost bust.

STYLE LOCK — CRITICAL
VIDEO: 100% photorealistic, cinematic, live-action footage. Real granite mountain, real machinery, real workers, real dust, real physics, natural sunlight. ZERO cartoon, ZERO 3D animation, ZERO Pixar/Disney style, ZERO stylized look.
FIGURES: ONLY HEADS AND SHOULDERS (busts), carved HIGH UP on mountain face. PURE GREY GRANITE STONE — monochrome grey, NO skin tones, NO clothing colors, NO painted details, NO fabric textures. Stone texture with chisel marks and natural rock grain. Even if references are cartoon or colorful, carvings are GREY STONE ONLY.

MONUMENT LOCK
ONLY four stone busts (head and shoulders). NO FULL BODY FIGURES. NO ENTIRE BODIES. NO LEGS. NO ARMS. NO EXTRA FACES. NO ADDITIONAL FIGURES. Carved HIGH UP on granite mountain face (upper third of frame). PURE STONE — grey granite, monochrome. NO COLORS.

FORMAT
Vertical 9:16, 15s. PANORAMIC WIDE SHOT — entire mountain visible from base to top. Busts in UPPER THIRD of frame, appearing small due to distance. LOW ANGLE from far away. Trees and vegetation TINY at mountain base showing massive scale. Mountain extends beyond frame edges (continuous massif). FAST ACCELERATED TIMELAPSE for 0-12s with completely static camera. From 12s to 15s: SLOW CINEMATIC PARALLAX SWEEP — camera smoothly drifts horizontally by 20 degrees (gentle lateral slide), creating subtle depth parallax between foreground and mountain. ULTRA HIGH QUALITY: 4K/8K resolution, hyper-detailed, photorealistic, professional cinema camera, HDR, ray-traced lighting, cinematic depth of field, film grain.

ACTION (TIMELINE)
0.0s–2.0s — EXPLOSION. Panoramic wide shot, full mountain visible. Tiny workers and machinery at base. Controlled explosion on upper mountain face — debris flies, dust billows, flat surface revealed. Fast timelapse speed. Static camera.

2.0s–8.0s — CARVING. Accelerated timelapse, static panoramic camera. Multiple excavators and drills work on upper mountain face. Tiny workers move rapidly. Stone chips fly, dust rises. Four busts emerge from rock — rough head shapes form first, then facial details appear. Busts HIGH UP in upper third, mountain base with tiny trees visible below.

8.0s–12.0s — DETAILING. Timelapse continues. Four stone busts clearly recognizable — @image1 baby, @image2 man, @image3 boy, @image4 woman — fully carved in PURE GREY GRANITE, NO COLORS, NO SKIN, NO CLOTHING. Final chiseling at accelerated speed. Static camera.

12.0s–15.0s — FINAL REVEAL WITH PARALLAX SWEEP. Timelapse ends. Camera begins SLOW SMOOTH HORIZONTAL DRIFT — gentle lateral slide of approximately 20 degrees to the right. Movement is cinematic and subtle, creating natural parallax between foreground elements (tiny workers, machinery at base) and the mountain with busts. The busts shift perspective slightly, revealing more three-dimensional depth of the carving. Four stone busts high on mountain face, panoramic view. ONLY heads and shoulders visible, PURE GREY GRANITE STONE, monochrome. Full mountain scale visible, trees tiny at base. Dramatic natural lighting highlights stone texture.

PERFORMANCE
Busts HIGH UP on mountain face (upper third of frame). PURE GREY GRANITE STONE — monochrome, NO COLORS, NO SKIN TONES, NO CLOTHING. PANORAMIC SCALE — entire mountain visible, massive scale. HYPER-DETAILED stone texture with chisel marks. Video 100% photorealistic and cinematic throughout. Fast timelapse speed for 0-12s. Slow cinematic parallax sweep 12-15s.

VISUAL DETAILS
Granite mountain massif (continuous rock formation). Heavy machinery TINY at base. Workers TINY. Debris, dust clouds. Four carved busts (head and shoulders only) in high relief, HIGH UP on mountain face (upper third). PURE STONE — grey granite, monochrome, chisel marks, natural rock grain. Trees and vegetation TINY at mountain base showing massive scale. Mountain extends beyond frame edges.

POSITIVE LOCKS
ONLY four stone BUSTS (head and shoulders only). HIGH UP on mountain (upper third of frame). PANORAMIC WIDE SHOT — entire mountain visible. LOW ANGLE from far distance. Trees TINY at base. Mountain extends beyond frame. PURE GREY GRANITE STONE — MONOCHROME, NO COLORS, NO SKIN, NO CLOTHING. STATIC CAMERA for 0-12s. SLOW CINEMATIC PARALLAX SWEEP (20 degrees horizontal drift) for 12-15s. PHOTOREALISTIC, CINEMATIC, LIVE-ACTION. 4K/8K, hyper-detailed. Vertical 9:16, 15s.

NEGATIVE PROMPTS
No text/watermarks/UI. NO CAMERA MOVEMENT for 0-12s — must be completely static timelapse. NO SLOW MOTION for 0-12s — must be fast timelapse. NO CLOSE-UP SHOTS — must be panoramic wide. NO FULL BODY FIGURES — ONLY BUSTS (head and shoulders). NO ENTIRE BODIES, NO LEGS, NO ARMS. NO COLORS on figures — PURE GREY STONE ONLY. NO SKIN TONES. NO CLOTHING COLORS. NO FABRIC TEXTURES. NO EXTRA FACES. NO ADDITIONAL FIGURES. NO CARTOON, NO 3D ANIMATION, NO PIXAR/DISNEY STYLE, NO STYLIZED LOOK. No mismatched/incomplete figures. NO LOW QUALITY, NO BLURRY, NO PLASTIC LOOK, NO AI ARTIFACTS. NO JERKY OR SUDDEN CAMERA MOVEMENT in final sweep — must be smooth cinematic drift.
❤️ 1
Long-exposure astrophotography shot, portrait orientation. Camera positioned at the side and slightly behind the seated person, capturing their SIDE PROFILE (three-quarter back view), NOT a straight-on back view. The person — matching the attached reference photo exactly — sits in a folding camping chair placed in the lower-left third of the frame, body angled toward the right, head tilted upward gazing at the sky. The person holds a smartphone in one hand at chest level, actively trying to photograph the starry sky, screen faintly glowing; the other arm resting on the chair. White sneakers visible. The silhouette and profile are crisp and well-defined.

The Milky Way core stretches DIAGONALLY across the frame from the upper-left to the lower-right, a dusty luminous band cutting through a deep blue-black sky filled with countless stars. Four bright, sharp meteor trails (shooting stars) streak across different parts of the sky.

The person sits in a dark, grassy field. The horizon sits low in the frame with a faint warm glow of light pollution; soft outlines of hay bales visible on the right side of the background.

Wide vertical composition emphasizing the vast scale of the sky above the small human figure anchored in the lower-left corner. Realistic, highly detailed, cinematic, sharp focus on the stars. Natural astrophotography look, no text, no watermarks, no logos.
❤️ 1
Long-exposure astrophotography shot, low camera angle. A single person — matching the reference photo exactly in face, age, hair, and body type — sits in a folding camping chair with their back to the camera, gazing up at an incredibly dense, dark night sky. The person is actively trying to photograph the starry sky with their smartphone: one arm raised high, holding the phone up toward the sky, screen faintly glowing as they frame the shot; the other hand adjusting the phone or steadying it. White sneakers clearly visible. The silhouette is crisp and well-defined.

The sky is a deep blue-black, filled with countless stars. The Milky Way core is visible as a dusty luminous band stretching across the heavens. Four bright, sharp meteor trails (shooting stars) streak across different parts of the sky.

The person sits in a dark, grassy field. In the background, faint outlines of hay bales are visible, along with very subtle light pollution on the distant horizon.

Wide composition emphasizing the vast scale of the sky above the tiny human figure. Realistic, highly detailed, cinematic, sharp focus on the stars. Natural astrophotography look, no text, no watermarks, no logos.
❤️ 1
Video (30 seconds): "Our Love Story — From First Like to Family of Three"

FORMAT: single continuous 30-second generation, aspect ratio 16:9. Fast romantic and emotional pacing, dynamic camera cuts every 1–1.5 seconds (~20 shots), clear visual storytelling, emotional beats readable instantly. Two-act structure: Act 1 (0–15s) "How it all began" — meeting and falling in love; Act 2 (15–30s) "Our family" — proposal, wedding, travels, newborn son. Every scene below must appear in the exact given order; no scene may be skipped, merged or reordered.

STYLE: photorealistic cinematic live-action film look, like a high-end romantic drama and premium wedding film. Natural human skin texture with pores and subtle imperfections, realistic hair strands, natural micro-expressions, lifelike body motion. Camera: gimbal and handheld moves, shallow depth of field, anamorphic lenses with soft flares, smooth rack focus. Light: natural light, golden hour glow, soft volumetric light, warm practical lights indoors. Grade: cinematic warm color grading, HDR, 4K ultra-detailed, subtle film grain. Realistic physics of cloth, water, petals, confetti. NO 3D animation look, no cartoonish rendering. No speech, no subtitles, no watermarks.

IDENTITY LOCK (strict, valid for the entire 30 seconds): the man = the exact same person as in reference photo @image1; the woman = the exact same person as in reference photo @image2; the newborn baby boy (final scene only) = the exact same person as in reference photo @image3. Identical face, hairstyle, body type and age in every scene and every shot from second 0 to second 30; no gradual drift, no re-casting mid-video. Only the clothing changes, exactly as specified per scene.

WARDROBE RULE (strict): faces stay identical BUT clothing MUST visibly change at every scene change, exactly as specified per scene. Wedding attire (white dress/tuxedo) appears ONLY in Scene 9 and never before or after. Every scene starts in a NEW outfit, different from the previous scene.

ACT 1 — HOW IT ALL BEGAN (0–15s)

SCENE 1 (0–2s) — Meeting on the dating app "DrugVokrug":
Shot A: close-up of a smartphone held in the man's hands; the screen shows a dating app interface titled "DrugVokrug" with a SINGLE profile photo of the woman (likeness @image2); a bright heart/like animation lights up on her photo, then chat bubbles pop up rapidly (message text as soft blurred lines; the only readable text in the whole video is the app logo "DrugVokrug"). No other faces on the screen.
Shots B1+B2: two quick cuts — the man smiling at his phone (one person in frame); then the woman smiling at her phone (one person in frame).

SCENE 2 (2–4s) — First meeting at the forest-park parking lot:
Daytime. A grey-silver compact crossover Suzuki SX4 with black protective moldings on the lower part of the doors pulls into a city forest-park parking lot; the woman steps out of the car; the man waits near the park entrance. They notice each other — shy happy smiles, sweet slight awkwardness. Exactly two people in frame. OUTFITS: smart casual — light jackets, jeans, sneakers. The car keeps this exact color and trim in every shot it appears.

SCENE 3 (4–6s) — Walk in the forest park:
The couple strolls along a sunny tree-lined path, sweet conversation, laughter, sunlight through green leaves. Exactly two people in frame. Same casual outfits as Scene 2.

SCENE 4 (6–8s) — He is the DJ, she dances to his set:
Night club, neon and laser lights, energetic atmosphere. The man behind the DJ decks with headphones, confident happy smile; the woman in a pretty party dress dances in the crowd to his set; he spots her, their eyes meet, he smiles at her. The woman appears exactly ONCE in the crowd; all other dancers have distinct different faces. Faces remain clearly recognizable under neon light. OUTFITS: he in stylish dark shirt; she in party dress.

SCENE 5 (8–11s) — Golden-hour photoshoot on the rooftop:
Rooftop of a Soviet-style nine-story panel apartment building at the edge of a forest park; below a sea of treetops, beyond the forest a city skyline; golden-hour sunset. The man photographs the woman with a camera; she poses and laughs in a light flowing dress. Exactly two people on the rooftop. OUTFITS: she in light flowing dress; he in casual shirt and jeans. Then two static "captured photo" freeze-frames showing ONLY the woman (same likeness) against the sunset — the best results of the photoshoot, looking like real photographs.

SCENE 6 (11–13s) — Amateur-league football match:
A small cozy stadium. The man, in a plain blue–white–sky-blue striped kit (no readable numbers or text), scores a goal and celebrates with arms spread, running toward the stands; the woman cheers emotionally from the tribune waving a team scarf. The man appears exactly ONCE on the field; the woman exactly ONCE in the stands; all other players and spectators have distinct different faces. OUTFITS: he in team kit; she in casual clothes with team scarf.

SCENE 7 (13–15s) — Tender night at the hotel:
Night, warm glowing hotel entrance. The couple walks hand in hand, tender intimate mood, family-friendly and tasteful. They enter a cozy hotel room; the door gently closes behind them — romantic tasteful fade that leads into Act 2. Exactly two people in frame. OUTFITS: she in elegant evening dress; he in smart shirt.

ACT 2 — OUR FAMILY (15–30s)

SCENE 8 (15–18s) — Proposal in a cozy home atmosphere:
Evening in a cozy apartment, warm fairy lights and candles. The man kneels with an open red velvet ring box; the woman is surprised and touched, hands over her mouth, tears of happiness, nods yes, warm embrace. Exactly two people in frame. OUTFITS: she in pretty floral home sundress; he in white shirt, dark trousers. The ring box keeps its exact shape and color in all shots.

SCENE 9 (18–20s) — Registry office (ZAGS) wedding:
A grand civil registry hall. The bride in an elegant white wedding dress with veil, the groom in a classic black tuxedo with boutonniere. They exchange rings and kiss; then step out as husband and wife while guests shower them with flower petals. The couple appears exactly ONCE; all guests have distinct different faces, none resembling the references. No signage text anywhere.

SCENES 10–14 (20–26s) — Vacations montage (~1.2s each), ONE clean cut per country, a SINGLE iconic landmark per shot, the couple exactly once per shot. WARDROBE CHANGES EVERY CUT:
- Goa, India: golden palm-tree beach, ocean, sunset. She: bright sundress + straw hat; he: open linen shirt + shorts; barefoot on sand.
- Tunisia: blue-and-white streets of Sidi Bou Said with blooming flowers. She: light summer dress + hat; he: white t-shirt + light shorts.
- Egypt: majestic Giza pyramids, warm desert light. She: flowy maxi dress + sun hat; he: polo shirt + chinos.
- Turkey: Cappadocia with hot-air balloons in the morning sky. She: light dress + denim jacket; he: casual shirt + jeans.
- Thailand: towering snow-white Big Buddha statue (white marble, NOT golden), lush tropical greenery. She: modest summer top + long skirt; he: t-shirt + shorts.

SCENE 15 (26–30s) — Maternity hospital, meeting their son:
Daytime, maternity hospital entrance. The man waits with a big bouquet of flowers, excited. The woman comes out holding their newborn baby boy (likeness @image3) wrapped in a light blanket; the baby appears exactly ONCE. He approaches, emotional and tender, carefully embraces them both — no extra limbs or fused bodies in the hug. Final shot: close-up of the happy family of three (exactly three people in frame), warm soft light, gentle fade-out. OUTFITS: she in beige blazer, white top, jeans; he in light blue shirt, grey trousers.

IMPORTANT: the story must flow effortlessly through visual emotion, seamless transitions between scenes and acts, iconic romantic and family moments, strict reference identity lock across the full 30 seconds (including the baby), natural lifelike acting, visible wardrobe change at every scene change, stable props within scenes (car, phone, camera, ring box, bouquet, blanket), consistent cinematic grading across both acts.

NEGATIVE / AVOID (strict): 3D render, CGI look, cartoonish, anime, Pixar or animation style; plastic, waxy or oversmoothed skin; uncanny valley faces; deepfake artifacts, face warping; skipped, merged or reordered scenes; uneven pacing; clones or duplicates of any character within one frame; any main character appearing more than once per shot; reference faces on extras, crowd or guests; extra limbs, fused bodies, deformed hands, wrong finger count; identity drift, face swap, morphing faces, gradual likeness change; flickering or blurry faces in dark or neon scenes; same outfit carried across scenes; wedding attire in vacation or hospital scenes; unchanged clothing between scenes; object inconsistency within a scene; the baby's face morphing; a golden Buddha instead of the snow-white Big Buddha; mixed landmarks between travel shots; more than one landmark per travel shot; garbled or random text except the "DrugVokrug" logo; signs with text; mirrors/reflections showing extra copies; speech-like mouth movements; explicit content; robotic movement, jitter; unnatural physics; exposure jumps, excessive grain, flicker; low-quality rendering; watermarks.
❤️ 0
Create a photorealistic professional family photoshoot, using the attached images as strict references. Image 1 = the mother's identity (keep her exact face, round face shape, wavy chestnut-brown shoulder-length hair). Image 2 = the baby's identity (keep his exact face). Image 3 = the father's identity (keep his exact face, short dark hair with receding hairline, small goatee). Image 4 = composition, pose and clothing guide ONLY (do not copy the faces from it).

Composition exactly like image 4: the father stands in profile, joyfully lifting the baby high above his head with both arms fully extended, smiling up at him; the baby looks down at the father; the mother stands close behind the father, in profile, gazing up at the baby, both hands gently resting on the father's shoulder and back.

Clothing matching image 4: mother in a long white sleeveless sundress; father in a light grey-blue short-sleeved polo shirt and cream linen trousers; baby in a light blue denim romper, barefoot.

Setting: rocky seaside at golden hour, calm deep-blue sea, dark boulders, distant soft-focus hills with white houses, clear pale-blue sky. Warm low sunset sunlight, natural skin tones and texture, candid joyful mood, DSLR photo, 50mm lens, f/2.8, shallow depth of field. Aspect ratio 3:2.
❤️ 1
Create a photorealistic professional family photoshoot, using the attached images as strict references. Image 1 = the mother's identity (keep her exact face, round face shape, wavy chestnut-brown shoulder-length hair). Image 2 = the baby's identity (keep his exact face). Image 3 = the father's identity (keep his exact face, short dark hair with receding hairline, small goatee). Image 4 = composition, pose and clothing guide ONLY (do not copy the faces from it).

Composition exactly like image 4: the father stands in profile, joyfully lifting the baby high above his head with both arms fully extended, smiling up at him; the baby looks down at the father; the mother stands close behind the father, in profile, gazing up at the baby, both hands gently resting on the father's shoulder and back.

Clothing matching image 4: mother in a long white sleeveless sundress; father in a light grey-blue short-sleeved polo shirt and cream linen trousers; baby in a light blue denim romper, barefoot.

Setting: rocky seaside at golden hour, calm deep-blue sea, dark boulders, distant soft-focus hills with white houses, clear pale-blue sky. Warm low sunset sunlight, natural skin tones and texture, candid joyful mood, DSLR photo, 50mm lens, f/2.8, shallow depth of field. Aspect ratio 3:2.
❤️ 1
SCENE CONTEXT
A massive ethereal cloud formation in the sky above a modern Dubai street gradually takes the exact shape of the character from @image1, holds the form while gently drifting, then dissolves back into a formless cloud. A large crowd below looks up in awe, filming with phones.

ACTIVE REFERENCES
@image1: the reference character. The cloud formation must be a 100% exact match to this image.

CLOUD FIGURE LOCK — CRITICAL
The cloud must trace the EXACT silhouette of @image1 with zero deviation. Every contour, limb position, body proportion, head shape, arm angle, leg position, and recognizable feature must be preserved.

CLOUD TEXTURE — CRITICAL
WISPY, FEATHERY, CIRRUS-LIKE clouds. Delicate, translucent, ethereal — like cirrus clouds stretched into a human shape. SEMI-TRANSPARENT — blue sky visible through it. Soft, gossamer, airy quality with fine fibrous strands, not solid opaque mass. Looks like a ghost made of clouds, not a plaster statue. Edges soft and feathery with delicate wisps trailing off. No solid, dense, or opaque texture.

FORMAT
Vertical 9:16, 15 seconds. Handheld smartphone from crowd, slight natural shake, photorealistic, bright daylight.

ACTION (TIMELINE)
0.0s–5.0s — FORMATION. Wide shot looking up at sky above modern Dubai street with skyscrapers, glass buildings, Burj Khalifa in distance. A large formless wispy cloud hovers in blue sky. Over 5 seconds, cloud gradually morphs and condenses, taking exact shape of @image1 — same pose, silhouette, proportions, features. Transformation smooth and natural, like clouds coalescing. Crowd watches in growing amazement, raising phones.

5.0s–11.0s — HOLD. Cloud figure fully formed, clearly recognizable as @image1. Hovers for 6 seconds, gently drifting and shifting with wind — wispy edges flutter, cloud material ripples and flows naturally, but overall silhouette of @image1 remains perfectly intact. Figure sways subtly, cloud strands trailing in breeze, living breathing quality. Crowd continues filming, pointing upward.

11.0s–15.0s — DISSOLUTION. Cloud figure slowly dissipates. Wispy edges blur and drift apart. Shape of @image1 gradually loses definition — features soften, limbs less distinct, silhouette breaks into formless wispy clouds. By 15.0s, no recognizable shape remains — only regular fluffy clouds. Crowd reacts. Street life continues.

PERFORMANCE
Cloud figure clearly recognizable as @image1 during hold. Texture wispy, feathery, translucent. Formation and dissolution gradual and natural. During hold, gentle natural wind movement — no static frozen pose, silhouette remains intact.

VISUAL DETAILS
Dubai: glass skyscrapers, Burj Khalifa, wide boulevard, luxury cars, palm trees. Bright blue sky. People in casual/business clothing, holding smartphones.

POSITIVE LOCKS
Cloud 100% matches @image1. Texture WISPY, FEATHERY, CIRRUS-LIKE, SEMI-TRANSPARENT. Formation 5s, hold 6s with wind movement, dissolution 4s. Crowd films. Vertical 9:16, 15s.

NEGATIVE PROMPTS
No text, subtitles, watermarks, UI. No solid/dense/opaque texture. No statue/plaster/marble. No pose/proportion changes during hold. No sudden disappearance. No people looking at camera. No static frozen cloud during hold.
❤️ 1
SCENE CONTEXT
A cinematic emotional short: a sniper — the person from @image1 — lies in position behind the rifle from @image4 on a city rooftop at dusk, watches a window through the scope, sees two people from @image2 and @image3 playing PlayStation together in an apartment, and cannot bring themselves to shoot — they break down in tears, drop the rifle and walk away. Four shots with hard cuts, professional film coverage and editing. Evening city, soft dusk light.

ACTIVE REFERENCES
@image1: the sniper — identical face, gender, age, height, build, hairstyle, skin tone and clothing to @image1 every frame, whoever they are; appearance and wardrobe taken entirely from the reference. 100% matches the reference.
@image2: the homeless-looking man in the apartment — identical face, gender, age, build, hairstyle, skin tone and clothing to @image2, taken entirely from the reference. 100% matches the reference.
@image3: the African-American woman in the apartment — identical face, gender, age, build, hairstyle, skin tone and clothing to @image3, taken entirely from the reference. 100% matches the reference.
@image4: the rifle — the sniper rifle is an exact match to the one in @image4: a black tactical rifle with a long cylindrical suppressor (silencer) on the barrel, a mounted optical scope, and a bipod. 100% matches the reference.

FORMAT MODE
Timed multishot with explicit HARD CUTs at the stated seconds; cuts only at the specified points, the camera does not cut on its own.

ACTION
0.0s to 2.5s — SHOT 1. Close-up, slightly low angle, static professional camera: the person from @image1 framed from the chest up, face large in frame, lying in position behind the rifle from @image4 on its bipod on a rooftop, right eye at the scope. The long suppressor and the scope of the rifle cross the foreground. Their expression is displeased and tense, brows drawn, jaw tight — the focused, unhappy face of someone on surveillance. Dusk city bokeh behind them.
2.5s HARD CUT
2.5s to 7.0s — SHOT 2. Scope POV: the entire frame is the view through the rifle's optical scope — circular black vignette edge and a fine crosshair reticle overlaying the image. Through the scope: the facade of a multi-story apartment building at dusk, windows lit. The view steadily zooms in, magnification climbing, drifting with tiny handheld aiming corrections, closing in on one warmly lit window on an upper floor. Through the window: a cozy room with warm lamp light; the person from @image2 (homeless-looking man in dirty torn t-shirt) and the person from @image3 (African-American woman wearing a red dress with gold embroidery, silver crown and "Miss Universe" sash) sit side by side in profile, facing the window, backs to the far wall. Both hold PlayStation controllers in their hands, focused on a TV screen whose back faces the window — only the top edge of the TV is visible. They are playing together, leaning slightly forward, absorbed in the game, relaxed and happy.
7.0s HARD CUT
7.0s to 14.0s — SHOT 3. Same setup as Shot 1: close-up, slightly low angle, the sniper from @image1 behind the rifle from @image4. The camera slowly pushes in toward their face. They have seen everything — and they can't do it. Their eyes glisten, then large tears well up and roll down their cheek. Their hands begin to tremble on the rifle, their head shakes slightly, breath turns shaky and shallow, lips press together and quiver. Fear and pity fight across their face — they squeeze their eyes shut in grief, more tears falling, small jerky flinches of the shoulders, unable to pull the trigger, unwilling to shoot. At 13.0s to 14.0s they lift their upper body slightly, pull their hands off the weapon and release it — pushing the rifle away from themselves.
14.0s HARD CUT
14.0s to 15.0s — SHOT 4. Wide shot from behind and slightly to the side, static: the rifle from @image4 falls flat onto the rooftop surface with a heavy metallic clatter. The person from @image1, seen from the back, stands trembling, shoulders shaking, posture heavy with sorrow, then turns and walks off toward the right side of frame, leaving the rifle behind. Background: dusk metropolis skyline, skyscraper silhouettes, soft fading sunset glow.

PERFORMANCE
Muscle-level emotion, no exaggeration: in Shot 1 tension in the brow and jaw; in Shot 3 real crying — welling eyes with catch-lights, tears with real weight rolling down the cheek, trembling fingers on the stock, micro-shakes of the head, shaky inhale, quivering lips, eyes squeezing shut. Pore-level skin realism, capillary flush around the eyes and nose from crying, visible breath movement in the chest. In Shot 4 the grief reads through the back: shaking shoulders, lowered head, heavy slow first steps.

PHYSICS
The rifle from @image4 has real mass — it rests solidly on its bipod, shifts slightly under the trembling hands, and when released it tips and falls onto the roof with real weight and a hard settle, no bounce. Tears follow gravity down the cheek. The PlayStation controllers in Shot 2 read as solid objects with real weight in the hands of both people.

LIGHTING
Dusk golden-blue hour throughout. Rooftop shots: soft warm fading sunset key from the horizon side, cool blue ambient fill, city lights as background bokeh. Window scene: warm interior lamp light, cozy and golden, contrasting with the cool dusk facade. White balance 4000K on the rooftop, warmer inside the window. Cinematic contrast, gentle highlight roll-off.

WARDROBE
Sniper: exactly the clothing from @image1, unchanged. Homeless man in the window: exactly the clothing from @image2, unchanged. African-American woman in the window: exactly the clothing from @image3, unchanged.

AUDIO
Quiet rooftop dusk ambience — distant city hum, light wind. In Shot 3, shaky trembling breathing and quiet sobs. At 14.0s the hard metallic clatter of the heavy rifle hitting the roof, then slow receding footsteps. No music, no speech, no dialogue.

STYLE
Fully photorealistic feature-film look: professional cinema camera, cinematic depth of field, clean professional editing with hard cuts, fine film grain, rich but natural color. Dramatic and emotional, not comedic, not stylized, not cartoonish.

OUTPUT SETTINGS
16:9, 15 seconds total, real-time throughout. Hard cuts exactly at 2.5s, 7.0s and 14.0s.

POSITIVE LOCKS
The sniper's face, gender, age, height, build, hair and clothing stay identical to @image1 every frame. The homeless man matches @image2 exactly. The African-American woman matches @image3 exactly. The rifle matches @image4 exactly — black body, long cylindrical suppressor, mounted scope, bipod; it never morphs into a different gun. Both people in the apartment are visible together in Shot 2, sitting side by side in profile, facing the window, holding PlayStation controllers, focused on the TV. Shot 2 is fully through the scope: circular scope vignette and crosshair reticle visible the entire segment, one continuous zoom toward the window. The rifle is never fired — no gunshot, no muzzle flash, no one is harmed; the sniper refuses to shoot, cries, releases the rifle and walks away. The rifle falls onto the roof only at 14.0s and stays on the roof in the final shot. In Shot 4 the sniper is seen from behind and exits frame right. Same dusk time of day and same rooftop across Shots 1, 3 and 4. Camera work is professional and steady — static or slow push-in only, no handheld chaos. No text, no subtitles, no watermarks, no logos.
❤️ 1
Reference image: use the uploaded storyboard as the exact visual sequence and timing reference. Duration: 15 seconds. Aspect ratio: 9:16 (vertical for Instagram). Style: ultra realistic cinematic luxury travel commercial. First-person perspective. The same hands remain visible throughout. Smooth seamless transitions. Photorealistic. Luxury private jet. Golden hour lighting.

KEY VISUALS: The private jet is bright ORANGE with "Neuro DJ" written on the fuselage in bold black paintbrush strokes. The passenger holds a 1-liter square bottle of Jack Daniel's whiskey in their right hand throughout the boarding sequence.

00:00–00:02 First-person view. Left hand holds a boarding pass "UFA -> PHU". Right hand firmly grips a large 1-liter bottle of Jack Daniel's whiskey, label clearly visible. The orange "Neuro DJ" jet stands on the real airport runway ahead. 

00:02–00:04 Suddenly accelerates toward the jet. Fast first-person movement with natural camera bob and motion blur. Both hands (holding ticket and whiskey bottle) move naturally while running.

00:04–00:06 Quickly climbs the stairs and enters the aircraft. Seamless transition into the luxury cabin. Warm ambient lighting, premium leather interior.

00:06–00:08 Walks through the cabin toward a window seat. Beautiful wood panels, soft lighting. Sits beside the window.

00:08–00:09 Looks out of the window. The aircraft is above the clouds. Bright golden sunlight illuminates the clouds.

00:09–00:10 Outside the window, seamless transition to the Big Buddha statue in Thailand, golden and majestic.

00:10–00:11 Scenery transforms smoothly into the Burj Khalifa in Dubai, towering above the clouds.

00:11–00:12 Landscape transitions into Marina Bay Sands in Singapore at sunset.

00:12–00:13 View changes to Christ the Redeemer in Rio de Janeiro, arms outstretched over green mountains.

00:13–00:14 View changes to the Sydney Opera House in Australia, white sails against the harbor.

00:14–00:15 Landmarks dissolve back into breathtaking clouds illuminated by the setting sun. The orange jet continues flying peacefully. Hold on the beautiful sky.

Camera: First-person only. Natural head movement. No cuts. Seamless cinematic transitions. 
Animation: Realistic walking, natural hand movement holding the bottle, smooth boarding. 
Quality: Ultra photorealistic, luxury travel commercial, 8K, HDR, soft cinematic lighting, premium private jet interior, beautiful clouds, spectacular aerial landscapes. No text overlays except the boarding pass and jet branding.
❤️ 1
[Style: Big Beat + 2-Step Garage + Rap (choruses) with California Punk Rock guitar influences. Tempo 130 BPM. Extended DJ mix — long intro with kick, long outro with kick, seamless looping. Duration strictly no less than 4:00. Atmospheric, dark, rebellious, anthemic, protest-inspired, powerful, defiant, raw. Multilayered melodic structure — 3 layers: Layer1 (main): distorted punk rock power chords + melodic guitar riff (rebellious, driving), Layer2 (counter 1): deep synth bassline + organ drone (dark, atmospheric), Layer3 (counter 2): arpeggiated synth + piano stabs (textural). Big beat drums: heavy punchy kick, loud snare (gated reverb), breakbeat fills, fat compressed drums. 2-step garage rhythm: shuffled kick/snare pattern, swung hi-hats, ghost snares, sub-bass wobble. Punk rock elements: distorted power chord guitars, palm-muted riffs, melodic guitar licks, punk energy. Rap vocals in choruses: male vocal (younger, 25-35, confident, defiant, gritty, fast, rhythmic). Verse vocals: male vocal (older, 50+, deep, smoky, gravelly, bellowing, authoritative, tired but fierce). No screaming but aggressive delivery. Structure: [Intro 16 bars: distorted guitar feedback + synth drone + breakbeat fill, no kick] [Beat enters 16 bars: 2-step kick/snare + punk guitars, heavy drums] [Verse1: older male vocal, deep, smoky, gravelly, authoritative] [Chorus1: younger male rap vocal, gritty, confident, fast, all layers active, guitar power chords] [Break 16 bars: guitar melodic riff + synth pad, beat minimal] [Verse2: older male vocal, more intense, bellowing] [Chorus2: younger male rap vocal, more aggressive, fuller] [Break 16 bars: distorted guitar solo + breakbeat fill] [Bridge: spoken word, older vocal, dry, no beat, guitar drone] [Final Chorus: younger male rap vocal, REPEATED TWICE, biggest, full aggression, guitar power chords, defiant anthem] [Outro 16 bars: drums continue, layers fade, guitar feedback final, last 8 bars kick+snare+guitar feedback fade]. Anthem of defiance, redemption, and pain. Lyrics below.

[Intro — distorted guitar feedback + synth drone + breakbeat fill, no kick. 16 bars]

[Beat enters — 2-step garage kick/snare, swung hi-hats, heavy punchy kick, punk guitars. 16 bars]

[Verse1 — male vocal, older (50+), deep, smoky, gravelly, bellowing, authoritative, tired but fierce]
Алая заря, розам алым в цвет,
Поцелуй меня, и придет рассвет.
Где-то вдалеке, слышишь, сойки смех?
Кровь на рукаве — я тоже чей-то грех.
Синяя вода, в цвет твоим глазам,
Мы не навсегда, так что по душам.
Если завтра нет, для чего тогда?
Алая заря, глаз любимых цвет.

[Chorus1 — younger male rap vocal (25-35), confident, gritty, defiant, fast, rhythmic. All layers active, guitar power chords.]
Я и есть боль!
Я и есть страх!
Главная роль,
И кровь на руках.
Я и есть персть!
Я и есть тлен!
Не предавший честь
И вставший с колен.

[Break — guitar melodic riff + synth pad, beat minimal. 16 bars]

[Verse2 — older male vocal, more intense, bellowing, deep, smoky]
Яркая звезда тухнет в тишине.
Дальше темнота снаружи и во мне.
Черным по сердцам, в цвет моей души,
По моим следам меня же не нашли.
Алая заря, синих рек мосты,
Черная земля, серые цветы.
С богом по душам, перейти на ты,
И к моим долгам все мои грехи.

[Chorus2 — younger male rap vocal, more aggressive, fuller, confident, gritty. All layers active, guitar power chords, heavier drums.]
Я и есть боль!
Я и есть страх!
Главная роль,
И кровь на руках.
Я и есть персть!
Я и есть тлен!
Не предавший честь
И вставший с колен!

[Break — distorted guitar solo + breakbeat fill, beat continues. 16 bars]

[Bridge — older male vocal, spoken word, dry, no beat, guitar drone, deep and tired]
Я и есть боль... Я и есть страх... Главная роль... И кровь на руках...

[Final Chorus — younger male rap vocal, REPEATED TWICE, biggest, full aggression, guitar power chords, defiant anthem, full energy]
Я и есть боль!
Я и есть страх!
Главная роль,
И кровь на руках.
Я и есть персть!
Я и есть тлен!
Не предавший честь
И вставший с колен!
[Repeat second time — same, more intense, aggressive, anthem explosion]
Я и есть боль!
Я и есть страх!
Главная роль,
И кровь на руках.
Я и есть персть!
Я и есть тлен!
Не предавший честь
И вставший с колен!

[Outro — drums continue, layers fade one by one: synth out, arpeggio out, bass out, guitar feedback final. Last 8 bars: kick+snare+guitar feedback fade only. Silence.]
❤️ 0
комикс на русском: Винтажная обложка для комиксов в стиле Арчи 1990-х годов, на которой изображен стилизованный под мультфильм персонаж с фотографии в качестве главного героя. Четкие контуры черными чернилами, ровная растушевка, полутоновая текстура, выцветшие цвета газетной бумаги и состаренная бумага. Классический макет Archie с крупной надписью “Ванечкины комиксы ", выполненной крупными красными буквами с желтым контуром, а также вставкой с номером выпуска, штрих-кодом, печатью издательства comic authority и значком портрета в углу. Юмористическое, невозмутимое повествование в классическом стиле Арчи с абсурдной, содержательной комедией и остроумными речами, выделенными жирными прописными буквами. Подчеркнуто чистая анатомия (широко расставленные глаза, крошечный нос, выразительные брови, блестящие волосы, напряженные жизнерадостные позы). Мода и реквизит в стиле Американа середины века: сшитые на заказ наряды, жемчуг, мокасины, винтажные прически, огромные хромированные автомобили, закусочные, заправочные станции, автостоянки и загородная обстановка. Цветовая палитра: насыщенная, но выдержанная (жженый красный, горчично-желтый, темно-синий, кремовый, приглушенный бирюзовый, выцветший черный). Плоское графическое освещение, как в старой печатной рекламе. Учитывайте незначительные дефекты печати: пожелтевшие края, потеки краски, зернистость, нестандартный цвет, царапины, заломы и потертость текстуры.
Общее впечатление: ностальгическое, китчевое, полезное и в то же время сюрреалистичное, как в забытом комиксе об Арчи из благотворительного магазина.
❤️ 4
Одинокий Тоби
❤️ 2
CHARACTER REFERENCE:
Use provided reference image as 100% exact template. Character MUST be absolutely identical to reference in ALL frames - face, hair, body, clothing, colors. Reference is the only source of truth - copy everything exactly as shown.

SCENE SEQUENCE (15s):

[0-3s] POV shot: Man's hands opening large cardboard box on wooden dock, revealing two giant transparent inflatable shoe/boots in plastic wrap. Blue lake/ocean water background. Unboxing sequence.

[3-6s] Man (100% identical to reference - same outfit as in reference) standing on grass by water, putting on giant transparent inflatable boots. Two orange electric pumps with black hoses inflating the boots uniformly. Boots expand to oversized shoe shape, maintaining realistic sneaker silhouette.

[6-9s] Man standing on wooden dock wearing giant inflated transparent boots (clear plastic, oversized sneaker shape). Crowd of people in background filming with phones. Man prepares to jump into water.

[9-12s] Man jumps from dock into water, lands on giant inflatable boots and starts "running" on water surface. Boots keep him afloat, creating splashes and wake behind him. Dynamic action shot.

[12-15s] Man confidently moving across water on giant inflatable boots, arms outstretched for balance. Blue ocean/lake, sunny day, waves and splashes. Rear/side tracking shot.

TECHNICAL SPECS:
Format: 1080p HD, 30fps, 9:16 vertical, 15s exact
Output: Clean MP4, NO text/watermarks/overlays
Motion: 7/10 strength, dynamic transitions
Lighting: Bright natural daylight

CRITICAL REQUIREMENTS:

CHARACTER & OUTFIT:
- 100% IDENTICAL to reference in ALL frames
- Copy face, hair, body, clothing EXACTLY from reference
- NO changes to appearance, outfit, colors, style
- Reference is absolute template

INFLATABLE BOOTS DETAILS:
- Giant transparent/clear plastic inflatable boots
- Realistic oversized sneaker/shoe silhouette
- Uniform inflation - maintain shoe shape
- NOT forming rings or irregular shapes
- Large enough to support body weight on water

UNIFORM INFLATION:
- Boots inflate evenly throughout
- Maintain realistic sneaker silhouette
- NO rings, NO uneven sections, NO irregular shapes

NEGATIVE PROMPT:
NO face morphing, NO outfit changes, NO appearance drift, NO deformed hands, NO extra fingers, NO text overlays, NO watermarks, NO blurry faces, NO glitches, NO cartoonish style, NO low-res artifacts, NO ring-shaped inflation, NO irregular boot shapes, NO unrealistic proportions, NO distorted water, NO impossible physics, NO sinking boots.

SEEDANCE 2.0 SETTINGS:
- Character Lock: MAXIMUM
- Reference Weight: 100%
- Face/Hand Refinement: ENABLED
- Cloth Physics: REALISTIC
- Water Simulation: ENHANCED
- Inflatable Physics: REALISTIC
- Temporal Stability: MAXIMUM
- Anti-Artifact Filter: ON

STYLE: Viral TikTok/Reels product demo, humorous, exciting water stunt, crowd reaction, dynamic action shots.

FINAL CHECK: Character 100% matches reference (face + outfit), giant transparent inflatable boots with realistic shoe shape, uniform inflation, realistic water physics, perfect anatomy, clean output.
❤️ 3
Place the logo from the reference image onto a large, glowing digital billboard mounted on the central skyscraper of a sprawling nighttime metropolis. The logo's design, colors, and typography must stay exactly identical to the reference — no redesign, no warping, no reinterpretation.

**Shot:** Medium-wide establishing shot. The camera is positioned at a moderate distance — close enough to read the logo clearly, far enough to reveal the surrounding cityscape: towering skyscrapers, neon-lit streets, distant traffic, and atmospheric haze. The billboard dominates the center of the frame but the urban environment is fully visible on all sides.

**Animation sequence:** The logo assembles piece by piece on the billboard surface in sequence — each letter, symbol, and graphic element slides or scales into place one at a time, with smooth easing and a slight settle bounce. No fades or dissolves — every element enters with physical motion. The final frame shows the complete logo glowing on the billboard, exactly as in the reference.

**Camera:** One slow, smooth gimbal arc around the billboard, steady speed, no cuts. The cityscape parallax-shifts naturally as the camera orbits.

**Lighting & atmosphere:** Consistent cinematic lighting throughout. The city is bathed in cool ambient tones with warm street-level accents. A soft glow emanates from each logo element as it lands, casting subtle light onto the billboard surface and nearby building facades. Light rain mist or atmospheric haze adds depth.

**Sound design (synced):** Low urban hum as bed. Whoosh on each element's entry, soft metallic click on settle, subtle bass impact on the final assembled logo.
❤️ 2
CRITICAL: This is a character consistency task. The faces in the output MUST be visually identical to the faces in the uploaded reference images. Treat the references as ground truth, not as inspiration.

Reference images attached:
- @image1 — this is the MAN. Use this as the strict identity reference for the male character.
- @image2 — this is the WOMAN. Use this as the strict identity reference for the female character.

STRICT RULES — do not ignore:
1. Preserve 100% facial identity of both people exactly as shown in their respective reference images. Same face, same features, same skin tone, same hairstyle. Do NOT modify, stylize, or reinterpret their faces.
2. Preserve their body type and proportions from the references.
3. DO NOT copy their clothing from the references. Instead, dress them in casual, comfortable clothes that fit harmoniously into a cozy living room scene (e.g., sweater, hoodie, relaxed pants). Colors should be neutral and natural.
4. The ONLY surreal/imaginary element in this image is the woman's elongated neck. Everything else must look 100% photorealistic.
5. The woman's head must be NORMAL, natural human size — do not shrink or enlarge it. The neck is elongated, but the head remains proportionate to a real human head.

Scene description:
A surreal photorealistic image of a couple sitting on a couch in a cozy living room.

The woman (identity from @image2) sits on the left side of the couch. Her neck is unnaturally elongated and curved, stretching across to hover right next to the man's phone screen. Her entire body language screams "sneaky peeking": her head is tilted forward and slightly down, her eyes are focused intently on the man's phone screen, her eyebrows slightly raised in curiosity. She is holding her OWN smartphone in her other hand, but she is completely ignoring it — her attention is 100% on the man's phone. Her expression: curious, slightly sneaky, trying not to get caught looking.

The man (identity from @image1) sits on the right side of the couch, holding a smartphone in both hands. He is completely absorbed in his phone, scrolling or reading something. His expression: bored, indifferent, totally oblivious to the woman's grotesquely long neck and her peeking right next to his screen.

Background: neutral-toned fabric sofa, large houseplants (monstera or similar), soft natural daylight coming from a window, small coffee table with an open magazine and glasses. Warm, lived-in living room atmosphere.

Style: photorealistic, editorial photography, shot on 35mm lens, shallow depth of field. The absurd humor comes entirely from the contrast between the realistic setting, the realistic human faces, and the impossible elongated neck. No cartoonish or illustrated style — everything except the neck must look like a real photograph.
❤️ 2
CRITICAL: This is a character consistency task. The faces in the output MUST be visually identical to the faces in the uploaded reference images. Treat the references as ground truth, not as inspiration.

Reference images attached:
- @image1 — this is the MAN. Use this as the strict identity reference for the male character.
- @image2 — this is the WOMAN. Use this as the strict identity reference for the female character.

STRICT RULES — do not ignore:
1. Preserve 100% facial identity of both people exactly as shown in their respective reference images. Same face, same features, same skin tone, same hairstyle. Do NOT modify, stylize, or reinterpret their faces.
2. Preserve their body type and proportions from the references.
3. DO NOT copy their clothing from the references. Instead, dress them in casual, comfortable clothes that fit harmoniously into a cozy living room scene (e.g., sweater, hoodie, relaxed pants). Colors should be neutral and natural.
4. The ONLY surreal/imaginary element in this image is the woman's elongated neck. Everything else must look 100% photorealistic.
5. The woman's head must be NORMAL, natural human size — do not shrink or enlarge it. The neck is elongated, but the head remains proportionate to a real human head.

Scene description:
A surreal photorealistic image of a couple sitting on a couch in a cozy living room.

The woman (identity from @image2) sits on the left side of the couch. Her neck is unnaturally elongated and curved, stretching across to hover right next to the man's phone screen. Her entire body language screams "sneaky peeking": her head is tilted forward and slightly down, her eyes are focused intently on the man's phone screen, her eyebrows slightly raised in curiosity. She is holding her OWN smartphone in her other hand, but she is completely ignoring it — her attention is 100% on the man's phone. Her expression: curious, slightly sneaky, trying not to get caught looking.

The man (identity from @image1) sits on the right side of the couch, holding a smartphone in both hands. He is completely absorbed in his phone, scrolling or reading something. His expression: bored, indifferent, totally oblivious to the woman's grotesquely long neck and her peeking right next to his screen.

Background: neutral-toned fabric sofa, large houseplants (monstera or similar), soft natural daylight coming from a window, small coffee table with an open magazine and glasses. Warm, lived-in living room atmosphere.

Style: photorealistic, editorial photography, shot on 35mm lens, shallow depth of field. The absurd humor comes entirely from the contrast between the realistic setting, the realistic human faces, and the impossible elongated neck. No cartoonish or illustrated style — everything except the neck must look like a real photograph.
❤️ 2