Video (30 seconds): "Our Love Story — From First Like to Family of Three" FORMAT: single continuous 30-second generation, aspect ratio 16:9. Fast romantic and emotional pacing, dynamic camera cuts every 1–1.5 seconds (~20 shots), clear visual storytelling, emotional beats readable instantly. Two-act structure: Act 1 (0–15s) "How it all began" — meeting and falling in love; Act 2 (15–30s) "Our family" — proposal, wedding, travels, newborn son. Every scene below must appear in the exact given order; no scene may be skipped, merged or reordered. STYLE: photorealistic cinematic live-action film look, like a high-end romantic drama and premium wedding film. Natural human skin texture with pores and subtle imperfections, realistic hair strands, natural micro-expressions, lifelike body motion. Camera: gimbal and handheld moves, shallow depth of field, anamorphic lenses with soft flares, smooth rack focus. Light: natural light, golden hour glow, soft volumetric light, warm practical lights indoors. Grade: cinematic warm color grading, HDR, 4K ultra-detailed, subtle film grain. Realistic physics of cloth, water, petals, confetti. NO 3D animation look, no cartoonish rendering. No speech, no subtitles, no watermarks. IDENTITY LOCK (strict, valid for the entire 30 seconds): the man = the exact same person as in reference photo @image1; the woman = the exact same person as in reference photo @image2; the newborn baby boy (final scene only) = the exact same person as in reference photo @image3. Identical face, hairstyle, body type and age in every scene and every shot from second 0 to second 30; no gradual drift, no re-casting mid-video. Only the clothing changes, exactly as specified per scene. WARDROBE RULE (strict): faces stay identical BUT clothing MUST visibly change at every scene change, exactly as specified per scene. Wedding attire (white dress/tuxedo) appears ONLY in Scene 9 and never before or after. Every scene starts in a NEW outfit, different from the previous scene. ACT 1 — HOW IT ALL BEGAN (0–15s) SCENE 1 (0–2s) — Meeting on the dating app "DrugVokrug": Shot A: close-up of a smartphone held in the man's hands; the screen shows a dating app interface titled "DrugVokrug" with a SINGLE profile photo of the woman (likeness @image2); a bright heart/like animation lights up on her photo, then chat bubbles pop up rapidly (message text as soft blurred lines; the only readable text in the whole video is the app logo "DrugVokrug"). No other faces on the screen. Shots B1+B2: two quick cuts — the man smiling at his phone (one person in frame); then the woman smiling at her phone (one person in frame). SCENE 2 (2–4s) — First meeting at the forest-park parking lot: Daytime. A grey-silver compact crossover Suzuki SX4 with black protective moldings on the lower part of the doors pulls into a city forest-park parking lot; the woman steps out of the car; the man waits near the park entrance. They notice each other — shy happy smiles, sweet slight awkwardness. Exactly two people in frame. OUTFITS: smart casual — light jackets, jeans, sneakers. The car keeps this exact color and trim in every shot it appears. SCENE 3 (4–6s) — Walk in the forest park: The couple strolls along a sunny tree-lined path, sweet conversation, laughter, sunlight through green leaves. Exactly two people in frame. Same casual outfits as Scene 2. SCENE 4 (6–8s) — He is the DJ, she dances to his set: Night club, neon and laser lights, energetic atmosphere. The man behind the DJ decks with headphones, confident happy smile; the woman in a pretty party dress dances in the crowd to his set; he spots her, their eyes meet, he smiles at her. The woman appears exactly ONCE in the crowd; all other dancers have distinct different faces. Faces remain clearly recognizable under neon light. OUTFITS: he in stylish dark shirt; she in party dress. SCENE 5 (8–11s) — Golden-hour photoshoot on the rooftop: Rooftop of a Soviet-style nine-story panel apartment building at the edge of a forest park; below a sea of treetops, beyond the forest a city skyline; golden-hour sunset. The man photographs the woman with a camera; she poses and laughs in a light flowing dress. Exactly two people on the rooftop. OUTFITS: she in light flowing dress; he in casual shirt and jeans. Then two static "captured photo" freeze-frames showing ONLY the woman (same likeness) against the sunset — the best results of the photoshoot, looking like real photographs. SCENE 6 (11–13s) — Amateur-league football match: A small cozy stadium. The man, in a plain blue–white–sky-blue striped kit (no readable numbers or text), scores a goal and celebrates with arms spread, running toward the stands; the woman cheers emotionally from the tribune waving a team scarf. The man appears exactly ONCE on the field; the woman exactly ONCE in the stands; all other players and spectators have distinct different faces. OUTFITS: he in team kit; she in casual clothes with team scarf. SCENE 7 (13–15s) — Tender night at the hotel: Night, warm glowing hotel entrance. The couple walks hand in hand, tender intimate mood, family-friendly and tasteful. They enter a cozy hotel room; the door gently closes behind them — romantic tasteful fade that leads into Act 2. Exactly two people in frame. OUTFITS: she in elegant evening dress; he in smart shirt. ACT 2 — OUR FAMILY (15–30s) SCENE 8 (15–18s) — Proposal in a cozy home atmosphere: Evening in a cozy apartment, warm fairy lights and candles. The man kneels with an open red velvet ring box; the woman is surprised and touched, hands over her mouth, tears of happiness, nods yes, warm embrace. Exactly two people in frame. OUTFITS: she in pretty floral home sundress; he in white shirt, dark trousers. The ring box keeps its exact shape and color in all shots. SCENE 9 (18–20s) — Registry office (ZAGS) wedding: A grand civil registry hall. The bride in an elegant white wedding dress with veil, the groom in a classic black tuxedo with boutonniere. They exchange rings and kiss; then step out as husband and wife while guests shower them with flower petals. The couple appears exactly ONCE; all guests have distinct different faces, none resembling the references. No signage text anywhere. SCENES 10–14 (20–26s) — Vacations montage (~1.2s each), ONE clean cut per country, a SINGLE iconic landmark per shot, the couple exactly once per shot. WARDROBE CHANGES EVERY CUT: - Goa, India: golden palm-tree beach, ocean, sunset. She: bright sundress + straw hat; he: open linen shirt + shorts; barefoot on sand. - Tunisia: blue-and-white streets of Sidi Bou Said with blooming flowers. She: light summer dress + hat; he: white t-shirt + light shorts. - Egypt: majestic Giza pyramids, warm desert light. She: flowy maxi dress + sun hat; he: polo shirt + chinos. - Turkey: Cappadocia with hot-air balloons in the morning sky. She: light dress + denim jacket; he: casual shirt + jeans. - Thailand: towering snow-white Big Buddha statue (white marble, NOT golden), lush tropical greenery. She: modest summer top + long skirt; he: t-shirt + shorts. SCENE 15 (26–30s) — Maternity hospital, meeting their son: Daytime, maternity hospital entrance. The man waits with a big bouquet of flowers, excited. The woman comes out holding their newborn baby boy (likeness @image3) wrapped in a light blanket; the baby appears exactly ONCE. He approaches, emotional and tender, carefully embraces them both — no extra limbs or fused bodies in the hug. Final shot: close-up of the happy family of three (exactly three people in frame), warm soft light, gentle fade-out. OUTFITS: she in beige blazer, white top, jeans; he in light blue shirt, grey trousers. IMPORTANT: the story must flow effortlessly through visual emotion, seamless transitions between scenes and acts, iconic romantic and family moments, strict reference identity lock across the full 30 seconds (including the baby), natural lifelike acting, visible wardrobe change at every scene change, stable props within scenes (car, phone, camera, ring box, bouquet, blanket), consistent cinematic grading across both acts. NEGATIVE / AVOID (strict): 3D render, CGI look, cartoonish, anime, Pixar or animation style; plastic, waxy or oversmoothed skin; uncanny valley faces; deepfake artifacts, face warping; skipped, merged or reordered scenes; uneven pacing; clones or duplicates of any character within one frame; any main character appearing more than once per shot; reference faces on extras, crowd or guests; extra limbs, fused bodies, deformed hands, wrong finger count; identity drift, face swap, morphing faces, gradual likeness change; flickering or blurry faces in dark or neon scenes; same outfit carried across scenes; wedding attire in vacation or hospital scenes; unchanged clothing between scenes; object inconsistency within a scene; the baby's face morphing; a golden Buddha instead of the snow-white Big Buddha; mixed landmarks between travel shots; more than one landmark per travel shot; garbled or random text except the "DrugVokrug" logo; signs with text; mirrors/reflections showing extra copies; speech-like mouth movements; explicit content; robotic movement, jitter; unnatural physics; exposure jumps, excessive grain, flicker; low-quality rendering; watermarks.

Модель: seedance_2_5